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Controlled Chaos: Tohubohu Productions News
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Entries in Festivals/Screenings (39)
Once again, Tohubohu has ventured into the waters of the 48 Hour Film Project, and once again, we have succeeded... Well, in a manner of speaking.
The reality is that while we did produce a great little short horror film, “Liability,” we were late in making it to the final drop-off and five minutes late is still late. Unfortunately, this means that while we will still screen at the AFI Silver Theatre tomorrow evening (and be eligible for the “Audience Favorite” award), we will not be eligible for consideration in any of the judged categories.
While most certainly a disappointment, I am comforted (at least somewhat) by the fact that every year we strive to do something more than the year before, to stretch our boundaries, to try new things. In a way, if we succeeded every time, then we wouldn’t really be challenging ourselves.
And the horror genre was definitely a challenge. But at every step in the process, everyone on the team worked like mad to make it a success. The individual stories of going above and beyond what I had any right to expect from both cast and crew are too numerous to mention.
(I did manage to keep tweeting our progress though my tweets were understandably a bit sparse during the shoot itself and I suspect that I’ll continue that tradition in the future.)
In the end, I’m really happy with the film itself. We had committed to producing a PG-13 film, which meant we weren’t going to go for a conventional slasher picture. So instead, we went with more of a creepy ghost story, a tale of justice and supernatural vengeance, of secrets, lies, and lawyers...
But of course, you can judge the results for yourselves: Tickets are still available for our debut screening tomorrow evening Wednesday, May 5, at 7:00 p.m. You can purchase advance tickets at the AFI Silver website (and given the likelihood that they will sell out, I strongly recommend taking that course). Given that the only award we’re still up for is the Audience award, I really want to make sure we’re stacking that audience with as many friendly faces (or, more accurately, votes) as possible. And since all films in that screening fit within the boundaries of the PG-13 rating, you can feel free to bring younger viewers (thereby increasing our potential audience size).
Also worth noting are two special screenings coming up later this month. First is the Best of the 48 Hour Film Project on May 27, where the top films from this year’s competition will be shown, and the prize winners announced. (There is a different selection of films at each screening, so you can safely make a whole evening out of it.) And on May 28th, you can see the Best of 10 Years of the 48 Hour Film Project, showcasing the best films in the competition’s history sure to be a memorable event. Tickets for both are also available at the AFI Silver website.
Thanks so much, and I hope to see you tomorrow evening!
Thought I’d send out a quick (and long overdue) note about our latest short film, “Uncertainty Principle,” produced as part of the 48 Hour Film Project International Shootout, and let you know about a special local screening this Saturday evening. (Nothing like giving you plenty of advance notice, eh?)
The competition itself open to the top 100 48 Hour Film Project teams worldwide saw 55 teams turning in finished films over the weekend of December 4–7 (we get an extra day in there to account for the need to mail the films in to the “central office”). Five local teams were in the mix us, Integral Arts, WIT Films, DC Dogs, and Red Hat Memory.
The competition itself proved a bit unusual, as we found out Friday evening when we received our “required elements”... or, rather, when we didn’t receive them. That’s right no required character, prop, and line, and no randomly assigned genre. All we had was a theme: The End of the World.
I’d say that we agonized for hours about what to do, but in reality we hit upon a basic idea early on (well, Robin did), and we were off and running. We were pretty limited in terms of available locations this time around, so that helped define the scope of what we were able to tackle. But thanks to a great script, a stellar cast (including John C. Bailey, Anna Coughlan, Erin Rose Coughlan, Linda Gabriel Deutsch, Belén Pifel, and Stuart Scotten), and a dedicated crew (both Saturday and Sunday were pretty exhausting shooting days), we were able to deliver a really solid entry, and one I’m personally really proud of.
Here’s the official “summary”: Dire warnings of immminent disaster have proven justified, as global destruction begins raining down from purple-hued skies. A Washington family struggles to cope with the advancing armageddon until a lone physicist proposes an unorthodox course of action.
Unfortunately, because the judging is still under way (the plan is to distribute the top 10 films commercially), we can’t post the film online, or even show you a trailer. (At the earliest, we won’t be able to show you anything until March.) But you will have one chance to see the film this weekend, along with entries from the other local teams.
There will be a special screening a free screening, no less of all five DC-area films at CDIA in Georgetown (where the old Foundry Theater used to be) on Saturday, January 16. The screening starts at 7:00 PM and is expected to run about an hour; the films will be followed by a filmmaker Q&A afterward (and having worked with several of these filmmakers before, let me say that they can be an entertaining bunch). This promises to be a fairly packed event remember, these are entries from the top teams in DC so be sure to get there early. (Directions are available at the CDIA site, and feel free to get back to me with any questions.)
Hope to see you there!
Just wanted to remind everyone that the Rosebud Film & Video Festival Nominee Showcase is this Saturday at the Rosslyn Spectrum Theatre (1611 North Kent Street in Arlington just two blocks from the Rosslyn Metro station)! The (twenty-film) screening runs from 12:30 p.m. until about 5:30 p.m., but (for those of you who may not be inclined to stay for the entire event), “All Roads Lead Away” will be showing at 2:00. That said, there are some really great films in the lineup be sure to check out the official site for details!
Tickets for the all-day event are just $8.00, and include an invitation to the Rosebud Awards ceremony at the Clarendon Ballroom on Sunday. Tickets can be purchased in advance by calling 703-524-2388.
Hope to see you there!
Oh, and while I’ve got you here, I wanted to give a quick shout-out to Barry Gribble and the Integral Arts production team, whose independent pilot “Dog” (for which yours truly made a very small production-design contribution) was just accepted into the Independent Television Festival in LA. Congratulations!